| DC Field | Value | Language |
| dc.contributor.author | Rybin, T. V. | - |
| dc.contributor.author | Zueva, E. V. | - |
| dc.contributor.author | Nesmelova, O. O. | - |
| dc.date.accessioned | 2026-05-22T12:12:34Z | - |
| dc.date.available | 2026-05-22T12:12:34Z | - |
| dc.date.issued | 2025 | - |
| dc.identifier.citation | Rybin, T.V. Folklore as a means of expressing national identity: the image of the serpent in British literature of the XXI century / T.V. Rybin, E.V. Zueva, O.O. Nesmelova // Научный результат. Сер. Вопросы теоретической и прикладной лингвистики. - 2025. - Т.11, №4.-С. 170-183. - Doi: 10.18413/2313-8912-2025-11-4-0-8. - Библиогр.: с. 180-183. | ru |
| dc.identifier.uri | http://dspace.bsuedu.ru/handle/123456789/66667 | - |
| dc.description.abstract | The article examines the depictions of serpents and dragons in three contemporary British novels: The Last Dragonslayer (2010) by Jasper Fforde, The Buried Giant (2016) by Kazuo Ishiguro, and The Essex Serpent (2017) by Sarah Perry. The study aims to determine the extent to which these images draw upon British national folklore and to explore how their interpretation contributes to the expression of national identity in 21st-century literature | ru |
| dc.language.iso | en | ru |
| dc.subject | literary criticism | ru |
| dc.subject | British literature | ru |
| dc.subject | contemporary British novels | ru |
| dc.subject | national identity | ru |
| dc.subject | folklore | ru |
| dc.subject | serpent image | ru |
| dc.subject | Perry S. | ru |
| dc.subject | Fforde J. | ru |
| dc.subject | Ishiguro K. | ru |
| dc.title | Folklore as a means of expressing national identity: the image of the serpent in British literature of the XXI century | ru |
| dc.type | Article | ru |
| Appears in Collections: | Т. 11, № 4
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