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Please use this identifier to cite or link to this item: http://dspace.bsuedu.ru/handle/123456789/66667
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dc.contributor.authorRybin, T. V.-
dc.contributor.authorZueva, E. V.-
dc.contributor.authorNesmelova, O. O.-
dc.date.accessioned2026-05-22T12:12:34Z-
dc.date.available2026-05-22T12:12:34Z-
dc.date.issued2025-
dc.identifier.citationRybin, T.V. Folklore as a means of expressing national identity: the image of the serpent in British literature of the XXI century / T.V. Rybin, E.V. Zueva, O.O. Nesmelova // Научный результат. Сер. Вопросы теоретической и прикладной лингвистики. - 2025. - Т.11, №4.-С. 170-183. - Doi: 10.18413/2313-8912-2025-11-4-0-8. - Библиогр.: с. 180-183.ru
dc.identifier.urihttp://dspace.bsuedu.ru/handle/123456789/66667-
dc.description.abstractThe article examines the depictions of serpents and dragons in three contemporary British novels: The Last Dragonslayer (2010) by Jasper Fforde, The Buried Giant (2016) by Kazuo Ishiguro, and The Essex Serpent (2017) by Sarah Perry. The study aims to determine the extent to which these images draw upon British national folklore and to explore how their interpretation contributes to the expression of national identity in 21st-century literatureru
dc.language.isoenru
dc.subjectliterary criticismru
dc.subjectBritish literatureru
dc.subjectcontemporary British novelsru
dc.subjectnational identityru
dc.subjectfolkloreru
dc.subjectserpent imageru
dc.subjectPerry S.ru
dc.subjectFforde J.ru
dc.subjectIshiguro K.ru
dc.titleFolklore as a means of expressing national identity: the image of the serpent in British literature of the XXI centuryru
dc.typeArticleru
Appears in Collections:Т. 11, № 4

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